The South’s complex “racial past has long inspired powerful artistic statements from renowned South Carolina-based artist Leo Twiggs, yet the nine works created in the aftermath of the murders on the evening of June 17, 2015 at Mother Emanuel AME Church in Charleston are perhaps the most compelling and poignant of his sixty-year career.”
“Within weeks of the tragedy, Leo Twiggs began painting as a cathartic means of coping not only with the horrors of the event, but also the awe he felt in the days after, as he watched South Carolinians unite in what he describes as ‘the state’s most humane moment.’ Over the next eleven months, one painting begat ideas for another; the emotions kept flowing, and he kept painting. These nine works honor the nine men and women who perished.
The symbolism in the batik paintings draws heavily from Twiggs’ signature use of targets and the Battle Flag of the Army of Northern Virginia, commonly referred to as the Confederate battle flag. Targets and the flag begin as very prominent features, indicating the racially charged past that inspired such tragedy. Over the course of the nine works, however, the Confederate battle flag becomes less prominent, mimicking the intense focus on that flag’s presence atop the South Carolina State House and its subsequent removal. As the series progresses, the target crosses evolve into Christian crosses, representing the transfiguration of an act of horror into a public outpouring of countless acts of kindness.
Twiggs notes that this series has been the most challenging artistic undertaking of his career. He hopes these works will long serve as a reminder of the compassion and solidarity that South Carolinians exhibited for each other in the days after the murders, utopic moment when race may still have haunted us, but ceased to divide us.”
~Courtney Tollison Hartness, PhD
Furman University, Greenville, South Carolina
The nine paintings that comprise the Requiem for Mother Emanuel series were exhibited at TJC Gallery from August 4 through November 8, 2016. Private collectors from across the Southeast have generously lent the first six works in the series to this showing, while the capstone three canvases are held by the Johnson Collection. Following a three-month tenure at the Mint Museum of Art in Charlotte, North Carolina, additional future venues include the I. P. Stanback Museum and Planetarium at South Carolina State University in Orangeburg (March 5 to April 20, 2017); the Jule Collins Smith Museum at Auburn University (September 5, 2017 to January 7, 2018) and the South Carolina State Museum in Columbia (January through April 2018).
On Tuesday, October 11, 2016, TJC hosted an educational exploration of paint, poetry, race, and grace, inspired by Requiem for Mother Emanuel. Featured presenters for the 7pm event included Dr. Twiggs, poet Nikky Finney, and Jane Panetta, associate curator at the Whitney Museum of American Art in New York.
First video credit: SailWind
Second video credit: Ridge Runner Media