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The Port of Charleston

Mixed media and oil on masonite
20 x 33 7/8 inches
1969
Now on view: USC Upstate, University of South Carolina, Spartanburg, South Carolina

As Exhibited in: Elevation from Within: The Study of Art at Historically Black Colleges and Universities, 2019–2023, TJC Gallery, Spartanburg, South Carolina, 2019; Richardson Family Art Museum, Wofford College, Spartanburg, South Carolina, 2021

Arthur Rose spent his entire career as an artist and educator in his native state of South Carolina, where he worked to overcome barriers confronting African American artists. Born in Charleston in 1921, Rose was one of eight siblings to attend local public schools and the only sibling to pursue higher education. Following a brief stint in the Navy during World War II, he graduated from high school and enrolled at Claflin College in 1946. After earning a bachelor’s degree in 1950, Rose temporarily relocated to New York, where he pursued advanced studies under the guidance of Hale Woodruff, among other notable faculty, at New York University.

During his two-year New York sojourn, Rose’s Southern home was never far from his mind. He considered the Carolina Lowcountry’s native beauty critical to his organic creative process, in which the final composition asserts itself, rather than having been preconceived. Known for his expressionistic sculptures, Rose nonetheless insisted that he was a painter first. His naïve figural and genre scenes are populated with subjects inspired by African folklore—from lithe gazelles to praying parsons and harlequin poets. Scholars have described Rose’s graceful, sometimes humorous, forms as owning a light-hearted vitality similar to the artist’s own carefree nature.

After completing his graduate degree in 1952, Rose returned to Orangeburg to begin a thirty-one-year tenure at Claflin College, interrupted briefly by an eight-year visiting residency at Voorhees College in nearby Denmark. At mid-century, Claflin was the only institution in South Carolina where African Americans could earn a bachelor’s degree in art. For many of his students, Rose was the first black artist they encountered and the first to introduce them to the achievements of other black artists. Former students fondly remember their teacher’s admonitions to expand their aesthetic and technical capacity: “Never let hard work or criticism impair your progress.” Dr. Leo Twiggs recalls his mentor’s exacting standards as well as his charisma and kindness. Rose “evolved into a father figure” for Twiggs and is widely revered as “the Dean of Black Arts in South Carolina.”

In 2005, ten years after the artist’s death, Claflin University renamed their newly renovated gallery space in honor of Rose. The following quote appeared in the museum: “Mr. Rose created an atmosphere in his studio/classroom that reminded one of the movement of the winds and waves that he had experienced as a child in Charleston: the reassuring notion that natural activity was always occurring.”

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