Gateway to North Carolina
Oil on canvas
40 x 60 inches
Circa 1920
As published in: Scenic Impressions: Southern Interpretations from the Johnson Collection
As exhibited in: Scenic Impressions: Southern Interpretations from the Johnson Collection, 2015–2018, Dixon Gallery and Gardens, Memphis, Tennessee; Morris Museum of Art, Augusta, Georgia; Telfair Museums, Savannah, Georgia; Knoxville Museum of Art, Tennessee; Rosalind Sallenger Richardson Center for the Arts at Wofford College, Spartanburg, South Carolina
A prolific artist in many media—oil, watercolor, etching, and lithography—Chauncey Ryder loved mountains. He bought a hilltop property in New Hampshire and, sometime about 1920, he explored the Blue Ridge Mountains of North Carolina and Tennessee.
Ryder defies easy categorization and is often labeled a Tonalist due to his canvases marked by haziness and soft-edged forms. Because he tended to generalize details, it is difficult to pinpoint the precise locations represented in his paintings. Indicative of his lack of concern for specificity, he once said: “I paint by feeling.” A clear green tone was a particular hallmark of his palette, leading commentators to cite “Ryder’s greens.”