Monday Morning
Alfred Hutty
1877-1954
Oil on canvas
32 1/8 in x 40 1/8 in
Circa 1945
As tourists rediscovered America following World War I, cities like Charleston benefited greatly. The city and area plantations had fallen into disrepair, and Charlestonians explained that they were “too poor to paint, too proud to whitewash.” Tourism spurred urban preservation, while wealthy Northerners acquired ancient rice fields and converted them into hunting preserves.
Soon, tourist hotels were built, azalea festivals were promoted, and plantation gardens were opened. Magnolia Gardens was the earliest to welcome visitors, and artists found it to be a special haven. In an interview, Hutty stated: “although I loved the old town greatly, the magnificence of Middleton and Magnolia Gardens completely enthralled me.” This painting is an unusual and somewhat haunting image of a gnarled live oak draped in Spanish moss, which creates a kind of Gothic mood.
Scenic Impressions: Southern Interpretations from the Johnson Collection, 2015
Scenic Impressions: Southern Interpretations from the Johnson Collection, Dixon Gallery and Gardens, Memphis, TN, November 1, 2015–January 3, 2016, Morris Museum of Art, Augusta, GA, January 16–April 10, 2016, Knoxville Museum of Art, Knoxville, TN, January 16–April 10, 2016, McKissick Museum, Columbia, SC, May 19–August 5, 2017, Telfair Museums, Savannah, GA, October 13, 2017–March 25, 2018, Wofford College, Spartanburg, SC, August 28–December 13, 2018
Behind the Lines: Artist-Soldiers in the Johnson Collection, TJC Gallery, Spartanburg, SC, July 10–September 10, 2014
Alfred Hutty
Alfred Hutty
Alfred Hutty
Alfred Hutty
Alfred Hutty
Alfred Hutty