The Man
John Biggers
1924-2001
Lithograph on paper
19 3/4 in x 15 in
1952
John Biggers was raised in Gastonia, North Carolina, where he was introduced to art at a young age; his first semester at Hampton University in 1941 convinced him to pursue art as a profession. The mentors who taught at Hampton, like Viktor Lowenfeld and Elizabeth Catlett, encouraged his interest in Black culture and poverty in the Jim Crow South. For the rest of his career, Biggers used his technical skills in drafting, lithography, and oil painting to depict subjects fatigued and despairing, diverging from his mentor Catlett’s decision to focus on resilience.
Biggers received multiple advanced degrees and then founded Texas State University’s Art Department in 1949. The following decade, he traveled through West Africa on a UNESCO fellowship, a trip which resulted in an illustrated book aiming to capture Africa’s essence. Biggers’s art brought together symbols from his Southern childhood, the advice and influence of his art mentors, and African heritage from his international travel to create a distinctive style.
Art in Exchange: North Carolina Artworks in The Johnson Collection, Steven D. Bell Hall, UNC, Chapel Hill, NC, August 1, 2025–Ongoing
Elevation from Within: The Study of Art at Historically Black Colleges and Universities, Florida A & M University, Tallahassee, FL, January 21–May 5, 2023, Morgan State University, Baltimore, MD, January 22–May 19, 2024
Imaginary Landscapes: Stories from the American South, The Bascomb: A Center for the Visual Arts, Highlands, NC, May 14–August 27, 2022
To Teach is to Learn: Lessons in African American Art of the South, TJC Gallery, Spartanburg, SC, August 31, 2017–January 12, 2018
Picture of America: Art of the Southern Scene, TJC Gallery, Spartanburg, SC, March 9–April 21, 2017
Beyond the Harlem Renaissance, TJC Gallery, Spartanburg, SC, February 20–April 2, 2014
John Biggers