Naples Yellow Center + 2 Greens + Black
Josef Albers
1888-1976
Few colors command attention as immediately as yellow. It evokes sunlight and harvest, celebration and caution, divinity and decay. Across centuries of painting, artists have embraced yellow, ochre, and gold not merely as descriptive hues, but as a visual language that shapes emotion, directs the eye, and transforms meaning.
The works in this exhibition reveal the remarkable range of yellow's expressive power. In Beauford Delaney's Abstraction No. 9, radiant yellows transcend form, creating a luminous field of color and light, while Mary Whyte's Shroud employs pale golden washes to convey the delicate weight and enveloping presence of a bolt of cloth. Together, these paintings demonstrate yellow's capacity to command attention through both brilliance and restraint.
Rather than tracing a single chronology or artistic movement, this exhibition invites visitors to consider how one color connects works created across different places, periods, and perspectives. Seen together, these paintings reveal yellow as more than just a pigment.
Josef Albers
1888-1976
Rudolph Ingerle
1879-1950
William Halsey
1915-1999
William Halsey
1915-1999
John Lapsley
1915-2005
Carl Blair
1932-2018
Pete Jennerjahn
1922-2020
Alma Thomas
1891-1978
Jack Tworkov
1900-1982
Jack Youngerman
1926-2020
Philip Morsberger
1933-2021
Oli Sihvonen
1921-1991
Purvis Young
1943-2010
Mary Whyte
Born 1953
Beauford Delaney
1901-1979
Beauford Delaney
1901-1979
Joe Cox
1915-1997
Valerie Jaudon
Born 1945
Thomas Downing
1928-1985
Josef Albers
1888-1976