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59th International Art Exhibition of
la Biennale di Venezia

The Johnson Collection is represented in the 59th International Art Exhibition of La Biennale di Venezia with the 1935 oil painting, Africa, by distinguished artist-educator Loïs Mailou Jones. Curated by Cecilia Alemani, the main exhibition, titled The Milk of Dreams, is on view from April 23 to November 27, 2022, in Venice, Italy.

AN INTERNATIONAL STAGE

jones_lois_africa_reg.jpgART WORLD OLYMPICS

Often referred to as the “Olympics of the art world,” the Biennale Arte has been held every two years since 1895. Originally slated for 2021, the 59th International Art Exhibition was postponed until this spring due to COVID-19. The much-anticipated main exhibition highlights objects by 213 artists from 58 countries. For the first time in the Biennale Arte’s history, women—many of color—make up 90% of the artist list, a striking divergence from the traditionally male-dominated roster. What emerges, Alemani believes, is a historical narrative rooted in “solidarity and sisterhood.” Working in the mid-twentieth century, Loïs Jones confronted both gender and racial discrimination, obstacles she termed “the double handicap: being a woman and being a woman of color." 

Works by other female artists represented in the Johnson Collection are also showcased in the 59th International Art Exhibition of La Biennale di Venezia: Ruth AsawaMinnie EvansSister Gertrude MorganAugusta Savage, and Laura Waring. In addition to the main exhibition installed at the Central Pavilion of the Giardini della Biennale, 80 participating nations will host separate exhibitions in the additional pavilions in the Giardini and in the Arsenale, as well as other venues throughout Venice. An array of diverse collateral events—performing and fine arts, educational, and philanthropic—will take place over the Biennale Arte’s duration.

Loïs Mailou Jones (1905–1998)

Born in Boston, Loïs Mailou Jones studied at the acclaimed School of the Museum of Fine Arts in her hometown. Denied a teaching position at her alma mater because of her race, Jones soon thereafter joined the art faculty of Howard University in Washington, DC, where she taught for 47 years. In addition to her responsibilities at Howard, Jones pursued her own creative explorations, which included painting and illustration.

Her deep interest in ancestral legacy informs Africa, a canvas depicting three sharply defined figures with chiseled features. Executed in vibrant jewel-like hues, the trio’s symmetrical, elongated features and expressionless eyes recall similar visages found in African masks, a recurrent aesthetic component in Jones’s oeuvre. In both subject and style, Africa is a powerful elucidation of one of The Milk of Dreams’ three thematic inquiries: “the representation of bodies and their metamorphosis.”

SHARING FAR AND WIDE

Since 2012, TJC has produced four significant scholarly books, including its 2018 volume, Central to Their Lives: Women Artists in the Johnson Collection, which featured Loïs Mailou Jones’s Africa in its pages as well as its traveling companion exhibition. More recently, the collection lent Africa to two national presentations: Riffs and Relations: African American Artists and the European Modernist Tradition (The Phillips Collection, Washington, DC, 2020) and Afro-Atlantic Histories (The Museum of Fine Arts Houston, 2021).